THE DOORS L.A. WOMAN

50th ANNIVERSARY DELUXE EDITION

 

3-CD/1-LP Set Expands The Doors’ Sixth Studio Album

With More Than Two Hours Of Unreleased Session Outtakes;

Available December 3 From Rhino

 

The Fabled, Original Demo Of “Riders On The Storm,”

Recently Discovered On An Unmarked Reel In The Doors’ Vault,

Available Today For The First Time

 

Producer Paul Rothchild Famously Referred To The “Riders” Demo

As “Cocktail Music” Before Departing The Project

LISTEN NOW 

LOS ANGELES – The Doors found their mojo (and Mr. Mojo Risin’) in November 1970 as they recorded L.A. Woman over six days at the Workshop, the band’s rehearsal space on Santa Monica Boulevard. A success both critically and commercially, the album was certified double-platinum and contains some of the band’s most enduring music, including the Top 20 hit “Love Her Madly,” “Riders On The Storm,” and the title track.

 

To commemorate the album’s 50-year anniversary, Rhino keeps on risin’ with a 3-CD/1-LP set that will be available on December 3 for $79.98. L.A. WOMAN: 50TH ANNIVERSARY DELUXE EDITION includes the original album newly remastered by The Doors’ longtime engineer and mixer Bruce Botnick, two bonus discs of unreleased studio outtakes, and the stereo mix of the original album on 180-gram virgin vinyl. The music will also be available from digital and streaming services the same day, as will a new Dolby Atmos mix of the original album by Botnick. 

 

The previously unheard original demo of “Riders On The Storm” from the early recording sessions for the album at Sunset Sound studios is available today digitally. The demo was recently discovered on an unmarked tape reel in the band’s vault after being assumed lost for decades. The recording was done with producer Paul A. Rothchild, who famously referred to the demo as “cocktail music.” This led to Rothchild departing the project, with the band opting to co-produce the album with Botnick. 

For this new collection, the original album has been expanded with more than two hours of unreleased recordings taken from the sessions for L.A. Woman, allowing the listener to experience the progression of each song as it developed in the studio. An early demo for “Hyacinth House” recorded at Robby Krieger’s home studio in 1969 is also included. 

 

The outtakes feature Jim Morrison, John Densmore, Robby Krieger, and Ray Manzarek working in the studio with two additional musicians. The first was rhythm guitarist Marc Benno, who worked with Leon Russell in The Asylum Choir. The other was bassist Jerry Scheff, who was a member of Elvis Presley’s TCB band.

 

In the studio, Botnick says the band took a more organic approach to recording instead of starting and stopping repeatedly to achieve technical perfection. “The previously unreleased reels here – serial takes of ‘The Changeling,’ ‘Love Her Madly,’ ‘Riders On The Storm,’ and ‘L.A. Woman’ – depict a band obsessed with groove while executing turns and flourishes with the precision of a well-drilled soul combo…The idea was to go from song to song, to let it flow.”

 

Among the outtakes of album tracks, you can also hear the band joyously ripping through the kinds of classic blues songs that Morrison once described as “original blues.” There are great takes of Junior Parker’s “Mystery Train,” John Lee Hooker’s “Crawling King Snake,” Big Joe Williams’ “Baby Please Don’t Go,” and “Get Out Of My Life Woman,” Lee Dorsey’s funky 1966 classic, written by his producer Allen Toussaint.

 

In the collection’s extensive liner notes, veteran rock journalist David Fricke explores the whirlwind making of the album, which would be the last with Morrison, who died in Paris a few months after its release. “Morrison may never have come back to The Doors,” he writes. “But with his death, L.A. Woman became rebirth, achievement, and finale, all at once. It’s the blues too – original blues, as Morrison promised. Fifty years later, there is still nothing like it.”

 

www.thedoors.com

 

L.A. WOMAN: 50TH ANNIVERSARY DELUXE EDITION

CD Track Listing

 

Disc One: Original Stereo Mix Remastered

1.    “The Changeling”

2.    “Love Her Madly”

3.    “Been Down So Long”

4.    “Cars Hiss By My Window”

5.    “L.A. Woman”

6.    “L’America”

7.    “Hyacinth House”

8.    “Crawling King Snake”

9.    “The WASP (Texas Radio And The Big Beat)”

10. “Riders On The Storm”

Bonus Tracks

11. “Hyacinth House” – Demo

12. “Riders On The Storm” – Sunset Sound Version - Original Demo*

 

Disc Two: L.A. Woman Sessions, Part 1

1.    “The Changeling” *

2.    “Love Her Madly” *

3.    “Riders On The Storm” *

4.    “L.A. Woman” (Part 1) *

 

Disc Three: L.A. Woman Sessions, Part 2

1.    “L.A. Woman” (Part 2) *

2.    “She Smells So Nice” *

3.    “Rock Me Baby” *

4.    “Mr. Mojo Risin’” *

5.    “Baby Please Don’t Go” *

6.    “L.A. Woman” (Part 3) *

7.    “Been Down So Long” *

8.    “Get Out Of My Life Woman” *

9.    “Crawling King Snake” *

10. “The Bastard Son Of Jimmy & Mama Reed (Cars Hiss By My Window)” *

11. “Been Down So Long” *

12. “Mystery Train” *

13. “The WASP (Texas Radio And The Big Beat)” *

 

L.A. WOMAN (ORIGINAL STEREO MIX REMASTERED)

LP Track Listing

 

Side One

1.    “The Changeling”

2.    “Love Her Madly”

3.    “Been Down So Long”

4.    “Cars Hiss By My Window”

5.    “L.A. Woman”

 

Side Two

1.    “L’America”

2.    “Hyacinth House”

3.    “Crawling King Snake”

4.    “The WASP (Texas Radio And The Big Beat)”

5.    “Riders On The Storm”

 

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JONI MITCHELL’S 1969 CARNEGIE HALL DEBUT TO BE RELEASED FOR FIRST TIME

 

17-Song, Two-Set Performance To Be Available As 3-LP Set,

Also Included In Forthcoming Joni Mitchell Archives Vol. 2 Boxed Set

 

“Chelsea Morning” Available Now Digitally From Live Recording Of The Show Made By Reprise Records On February 1, 1969

 

LISTEN NOW

 

Archives Vol.2 And Vinyl Set Release Date Moved To November 12,

 Plus Limited Edition White Vinyl

Available Exclusively At JoniMitchell.com

LOS ANGELES – On February 1, 1969, almost a year after Joni Mitchell released her debut album Song to a Seagull, the 25-year-old singer-songwriter was standing on stage at Carnegie Hall in New York City playing the first major concert of her young career for a sold-out crowd that included Bob Dylan. Graham Nash, who was Mitchell’s partner at the time, was there too, along with her parents visiting from Canada. Her performance that night earned glowing reviews, including this one from Billboard’s Fred Kirby:

 

“Joni Mitchell charmed a packed Carnegie Hall audience on Saturday…Miss Mitchell doesn’t merely sing a song, the fine folk artist effectively interprets her material. And what a lineup of material! Beginning with ‘Chelsea Morning” and ending with a medley of ‘The Circle Game’ and the new ‘Little Green,’ the outstanding material flowed.”

 

Fatefully, her label Reprise Records recorded the entire concert with plans to release it. More than 50 years later, the show will finally make its long-awaited debut on November 12 as part of JONI MITCHELL ARCHIVES VOL. 2: THE REPRISE YEARS (1968-1971). On the same day, the performance will be released separately as a 3-LP set on 180-gram vinyl for $59.98, with an exclusive 180-gram, white vinyl version, limited to 3,000 copies, available at www.JoniMitchell.com. The vinyl showcases the full audio across five LP sides with the sixth side featuring an etching of the American eagle that donned Mitchell’s skirt at the Carnegie Hall show. As a preview, Mitchell’s performance of “Chelsea Morning” from the show is available today digitally.

The 7”x7” art print that comes exclusively with all orders made on the official Joni Mitchell store has a connection to the Carnegie Hall show. It’s a reproduction of the drawing Mitchell made on the letter she sent to Joel Bernstein, her personal photographer, inviting him to the concert.

He came and took pictures that day, including one taken shortly before the show that captures Mitchell at the piano warming up while Nash and her parents look on.

 

Mitchell recalls the backstage scene in her conversation with Cameron Crowe from the liner notes in ARCHIVES VOL. 2: “I flew my parents [Bill and Myrtle] in for the show. We walked over to Carnegie Hall from the Plaza Hotel. Graham was wearing a floor-length maxi coat, black velvet, but with a pink-and-white chiffon tie-dye scarf. And I was wearing a green-and-white plaid coat. I’ve still got it. It looked like something from a Dickens play. My mother was embarrassed to be seen with us!”

Graham Nash picks up the story in the liner notes that come exclusively with the 3-LP vinyl set: “Joni had bought a long vintage skirt that was made for a parade. On the front, in colorful sequins, was a large American eagle, and on the back was . . . a large artichoke. At some point earlier in the evening Myrtle said, ‘Oh, Joan. Is that what you’re going to wear at Carnegie Hall? They look like rags.’”

 

Mitchell finishes the story: “My father came forward and said, ‘Oh, Myrt, she looks like a queen in those rags.’ I loved him for that. Thank God for Papa. He gave me back myself.”

 

That night, Mitchell thrilled the audience as she played most of the songs from Songs to a Seagull (“I Had A King”); several from the album she was about the record, Clouds (“That Song About The Midway”); plus a few destined for 1970’s Ladies of the Canyon (“Blue Boy”), and 1971’s Blue (“Little Green”).

 

She opened the show with “Chelsea Morning,” a song about her apartment on West 16th Street in Manhattan’s Chelsea District. In the lyrics, Mitchell mentions waking up to rainbows on the wall and incense owls by night. Both were inspired by real things in her apartment. The light show was from a mobile she built using wire and colored slag glass that she found near the club she was playing at in Philadelphia. And the incense owl found a new home with Bernstein, who has it to this day. 

In the vinyl set’s liner notes, Nash vividly recalls the start of the show: “Joni began with ‘Chelsea Morning.’ She had the crowd immediately on her side when she began the song, but for some reason stopped and had to start it again. Right after that, some people from the crowd gave Joni a large, handmade Valentine sign. What followed was a concert of music that stirred my heart and made me realize what an enormous talent Joni is… Simply a show, given by someone who lived life and love to the fullest, pouring out her heart and soul, alone, before your eyes. A queen in rags indeed.”

 

The tracks on ARCHIVES VOL. 2 have been sequenced chronologically to follow Mitchell in real time through one of the most creative periods of her career. The collection uncovers several unreleased Mitchell originals, including “Jesus” recorded in 1969 at her friend Jane Lurie’s New York apartment in Chelsea, which also served as the setting for the song “Chelsea Morning.”

 

Other highlights include five Blue outtakes that were released digitally last month as Blue 50 (Demos & Outtakes) including early demos of “A Case Of You” and California,” a version of “River” that adds French horns, an alternate version of “Urge For Going,” and the unreleased song “Hunter.” Also included is Mitchell’s performance at Le Hibou Coffee House in Ottawa on March 19, 1968 that was recorded by Jimi Hendrix and a concert at the Paris Theatre in London on October 29, 1970, that was broadcast on the BBC, in which singer-songwriter James Taylor joins Mitchell for the second half of the show.

 

Like its predecessor, ARCHIVES VOL. 2 includes a booklet illustrated with many unseen photos from Mitchell’s personal collection, as well as new liner notes reflecting conversations about the time period between Crowe and Mitchell.

 

ARCHIVES VOL. 2 serves as a companion to the recently released boxed set The Reprise Albums (1968-1971), which is available now in 4-CD, 4-LP, and digital versions. It includes newly remastered versions of Song To A Seagull (1968), Clouds (1969), Blue (1971) and Ladies Of The Canyon (1970).

LIVE AT CARNEGIE HALL, FEBRUARY 1, 1969

LP Track Listing

 

First Set

Side One

1.      “Chelsea Morning”

2.      A Valentine for Joni

3.      “Cactus Tree”

4.      “Night In The City”

5.      “I Had A King”

 

Side Two

1.    “Blue Boy”

2.    My American Skirt

3.    “The Fiddle And The Drum”

4.    Spoony’s Wonderful Adventure

5.    “That Song About The Midway”

6.    “Both Sides Now”

 

Second Set

Side Three

1.   “Marcie”

2.    “Nathan La Franeer”

3.    Intro to “The Gallery”

4.    “The Gallery”

5.    “Hunter”

6.    “Morning Morgantown”

 

Side Four

1.    Intro to “Get Together”

2.    “Get Together”

3,    Intro to “The Circle Game/Little Green”

4.    “The Circle Game/Little Green”

 

Encore

Side Five

1.    “Michael From Mountains”

2.    Intro to “Urge For Going”

3.    “Urge For Going”

 

Side Six

Etching Of American Eagle Design From The Skirt Mitchell Wore At Carnegie Hall Show

 

 

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