Quadio: Bette Midler, Bread, Duke Ellington, Graham Central Station

Artist Name
Various Artists
Release Date

RHINO QUADIO

Bette Midler’s The Divine Miss M, Bread’s Baby I’m-A Want You, Duke Ellington’s New Orleans Suite and Graham Central Station’s Self-Titled

Quadraphonic Albums​ Available For The First Time In 50 Years Issued On Blu-ray With Quadraphonic And Hi-Res Stereo

LOS ANGELES—Rhino is unveiling the next collection of high-quality quadraphonic releases. Unavailable for nearly half a century, four legendary titles have been digitized from their original analog four-track Quad mixes - Bette Midler’s The Divine Miss M (1972), Bread’s Baby I’m-A Want You (1972), Duke Ellington’s New Orleans Suite (1970), and Graham Central Station’s Self-Titled (1974).

Quadraphonic sound, or 4.0 surround sound, utilizes four audio channels connected to four speakers positioned at the corners of a listening space. The ​multi-tracked ​audio is mixed dimensional, immersing the listener in an expansive soundscape. 

The collection is available today as Blu-ray discs with a quadraphonic and 192/24 stereo mix. Currently exclusive to Rhino.com and select Warner Music Group stores worldwide, each title retails for $24.98, with a bundle of all four available for $79.98. 

Bette Midler’s platinum-certified debut studio album, The Divine Miss M, was an instant hit, peaking at No. 9 on the Billboard 200. Named after Midler’s stage persona, the album was co-produced by Barry Manilow and went on to win Midler a GRAMMY® Award for Best New Artist and nominations for Album of the Year and Best Pop Vocal Performance, Female. 

Baby I’m-A Want YouBread’s fourth studio release, was their first record to feature new keyboardist Larry Knechtel. The lead single, “Baby I’m-A-Want You,” debuted at No. 3 on the Billboard Top 100 and “Everything I Own” at No. 5, with the album becoming gold-certified.

Duke Ellington was commissioned to create the New Orleans Suite for the 1970 New Orleans Jazz Festival, marking his final recording with saxophonist Johnny Hodges. The record is regarded as one of Ellington’s greatest works, incorporating Creole influences.  He won the 1970 GRAMMY® Award for Best Jazz Performance by a Big Band and received a nomination for Best Instrumental Composition.

Started by Larry Graham, bassist for Sly and the Family Stone, Graham Central Station released their Self-Titled debut in 1974. An exuberant hybrid of soul, funk, and pop, the album reached No. 20 on the Billboard Top Soul Albums, and their lead single, “Can You Handle It?” hit No. 9 on the Soul Singles. 

Tracklist

Bette Midler - The Divine Miss M

  1. Do You Want To Dance
  2. Chapel Of Love
  3. Superstar
  4. Daytime Hustler
  5. Am I Blue
  6. Friends
  7. Hello In There
  8. Leader Of The Pack
  9. Delta Dawn
  10. Boogie Woogie Bugle Boy
  11. Friends

Bread - Baby I’m-A Want You

  1. Mother Freedom
  2. Baby I'm-A Want You
  3. Down On My Knees
  4. Everything I Own
  5. Nobody Like You
  6. Diary
  7. Dream Lad
  8. Daughter
  9. Games Of Magic
  10. This Isn't What The Governmeant
  11. Just Like Yesterday
  12. I Don't Love You

Duke Ellington - New Orleans Suite

  1. Blues for New Orleans
  2. Bourbon Street Jingling Jollies
  3. Portrait of Louis Armstrong
  4. Thanks for the Beautiful Land on the Delta
  5. Portrait of Wellman Braud
  6. Second Line
  7. Portrait of Sidney Bechet
  8. Aristocracy a la Jean Lafitte
  9. Portrait of Mahalia Jackson

Graham Central Station - Graham Central Station

  1. We've Been Waiting
  2. It Ain't No Fun to Me
  3. Hair
  4. We Be's Gettin' Down
  5. Tell Me What It Is
  6. Can You Handle It?
  7. People
  8. Why?
  9. Ghetto

 

About Quadio

Rhino introduced the Quadio Series in June 2023, with Alice Cooper's Billion Dollar Babies, Black Sabbath's Paranoid, The J. Geils Band's Nightmares..., and Jefferson Starship's Red Octopus. This series follows the success of the sold-out Chicago and Doobie Brothers' Quadio sets. Quadraphonic sound, also known as 4.0 surround sound, uses four audio channels connected to four speakers at the corners of a listening area. This type of audio provides an immersive listening experience by dimensionally mixing multi-tracked audio, creating an expansive soundscape for the listener. Rhino’s recordings are transferred from the original half-inch four-channel masters at a high resolution of 192/24 for a pristine sound.